Orion Quin
Orion Quin  ·  A Series in Twelve Parts

The Everyday Heroic

Twelve essays on courage, obligation, endurance and endings — drawn from Norse and Old English literature, and honest about what that literature was, who wrote it down, and who is using its symbols now.


Literature  ·  Psychology  ·  ~1 hr 20 min in total

Cattle die, kinsmen die, the self must also die; but glory never dies, for the man who is able to achieve it.Hávamál 76, trans. Carolyne Larrington

§What this is, and what it isn’t

Borrowed postures, from contested ground

This material reaches us almost entirely through texts written down in Christian societies, centuries after the pagan world they depict. The Poetic Edda survives in a thirteenth-century Icelandic manuscript. Snorri Sturluson, who gave us the most systematic account of Norse myth, was a Christian chieftain writing a handbook for poets, and how much order he imposed on fragmentary material is still argued about. The sagas were composed two or three centuries after the events they narrate. This is literature about a past, not a record of a faith.

Two things about that past belong at the front. It was a slave-holding society funded substantially by raiding. And its honour system was a membership rule — elaborate courtesy between men of standing, very little restraint outside that circle. The deeds its literature celebrates are overwhelmingly killings.

And one thing about the present. Norse and Germanic heroic imagery is heavily used in the iconography of white-nationalist movements. Far-right appropriation is an important and unavoidable modern context for this material — alongside its ordinary use by practising heathens, by scholars, by Icelanders and across a good deal of mainstream culture — and it is not something to write around. There is no ethnic content in anything drawn from these texts; the idea of a pure Germanic inheritance is a nineteenth-century invention with a twentieth-century use, and Icelandic scholars and Norse-practicing heathen groups have objected to the appropriation for decades. The final essay takes this up at length.

What these essays take is a set of postures toward difficulty: meeting what is coming, going forward afraid, holding for the person beside you, spending yourself in a contest you will lose, finishing properly. Each is read alongside the psychology where the two overlap, with the evidence stated at the strength it holds — several of the findings usually cited alongside this material have had difficult replication histories, and those are flagged where they appear.

Read them in order if you want the argument. Or take whichever title describes your week.

01
Meeting What’s Coming
The heroic literature begins with a hard premise: much of what happens to you is not yours to decide. And a fierce conclusion from it — that the manner of the meeting is.
Fate · Stance  ·  ~7 min read
02
Forward, Not Fearless
The popular hero feels no fear, which makes courage a temperament rather than something anyone can do. The literature is more useful than that, and more honest.
Fear · Action  ·  ~6 min read
03
The Deed, Not the Applause
The most famous lines the north produced are about death and what survives it. On wanting to do something worth the telling — and on where that hunger goes wrong.
Motivation · Mortality  ·  ~7 min read
04
The Overlap
A shield-wall is not a metaphor for warmth. It is a structure in which your effort is owed to the person next to you, and one gap takes down the line.
Groups · Obligation  ·  ~6 min read
05
Your Word as Iron
Medieval Iceland had courts, laws and assemblies — and within them, a spoken word carried unusual weight. On what it means to be the kind of person whose word is simply done.
Commitment · Trust  ·  ~6 min read
06
The Battle You Can’t Win
Most mythologies promise their gods a victory. This one does not, which is the strangest and most interesting thing about it.
Meaning · Defeat  ·  ~7 min read
07
Break the Rings
A hoarding lord lost his war-band. A generous one kept it for life. On giving as the thing that binds — and on what the gift was actually doing.
Generosity · Leadership  ·  ~6 min read
08
Outlasting It
Not the serene acceptance of the meditative traditions — something fiercer and oddly cheerful. On the endurance that is neither peace nor protest.
Endurance · Discomfort  ·  ~6 min read
09
The Foe Worth Having
The quality of a contest depends partly on the quality of the opponent — which this literature understands, and says in a way that is worth borrowing.
Rivalry · Respect  ·  ~6 min read
10
The Fire and the Rein
The berserker is the most misused figure in this literature. What the texts actually do with him is more interesting than the popular version.
Intensity · Regulation  ·  ~6 min read
11
The Story You’re In
A saga is a told life. The characters in them appear to know this, which is either a literary device or a way of living, and is interesting as both.
Narrative · Identity  ·  ~6 min read
12
Ending Well
How a thing finishes weighs more than it should in how the whole is remembered. The last essay, on endings — and on the problem this whole ring has been carrying.
Endings · Closing  ·  ~7 min read