Orion Quin

Orion Quin  ·  Meditation

Moving Through

What a childhood hands you, what you can set down, and how to tell the difference.

9 minute read


When I was fifty, I asked my mother about the desert. We were on the phone, and she got a tone in her voice I hadn’t heard in decades. In about a second I was a scared small boy again.

It made no intellectual sense. I knew who I was, where I was, and how old I was. My mother was a woman on a phone and not a danger to me. My body disagreed. It filed its report anyway, and the report said she wasn’t safe. My mind argued with it and lost.

I think of that call as the whole diagnosis, delivered by telephone. This piece is about what to do with it: what I carry from a childhood like mine, what I could set down, and how to tell the two apart.

A wiring, not a verdict

The fathers have eaten sour grapes, and the children’s teeth are set on edge.

Ezekiel 18:2, King James Version

People quote that line to say the damage passes down and nothing can be done. It is worth noticing that the chapter it comes from is an argument against the proverb. A few verses later the text says the son shall not bear the iniquity of the father. I’m a layman with scripture, and I won’t pretend to settle what it means. But I like that the line people repeat and the line that answers it sit in the same place.

The psychology has a version of the same split. In the 1970s and 80s, Mary Main and Judith Solomon were watching recordings of an experiment Mary Ainsworth had designed, in which a toddler is left briefly with a stranger and then reunited with the parent. Most children fit one of three patterns. A few fit none. One would start across the room toward the returning mother and freeze halfway. Another would approach her with his head turned away. A third reached up to be held and went rigid. Main and Solomon proposed that these were children whose caregiver was both the source of comfort and the source of fear, and that a small nervous system handed that contradiction can’t build a single plan. The person it has to run toward for safety is the person it has to run from. They called it disorganized attachment.

A caution, because this is where popular writing gets loose. The link between that infant category and the adult style often called fearful-avoidant is weaker than the internet suggests, and it’s a pattern of tendencies and not a medical diagnosis. A single life never fits one box. I use the language because it gave me a way to describe my own life, and I hold it as a lens.

What I took from the research, and what I most want you to take, is that a wiring is not a verdict. The same origin that makes one adult flee closeness can make another spend his life reaching for it. What happened is fixed. The response to it is not.

The grapefruit

I know exactly where mine was built, because it has a piece of fruit in it.

I was five, living in a commune in the desert, and my mother handed me her philosophy the way another mother might hand a child a sandwich. The farmers, she said, had more than they needed. So I was sent into other people’s orchards.

She wasn’t excusing something she knew was wrong. Inside a utopian idea, a grapefruit belongs to whoever needs it, and she has spent her whole life inside beautiful ideas, which is a hard thing to be the child of. I went because she sent me. But something in me declined the philosophy and could not decline the mother. That is the first crack between us, and it has the shape of everything after it: the one who is supposed to keep you is the one you aren’t safe with.

The worst of that time was not the fruit. There was a man, and I was hurt, and my mother was in the room. In the end she told my father to come get me, because my life was in danger, and she was right. I understand now how much that sentence carries. I’m not going to take it apart here. I’ll say only that it was the first time I learned a person can know the danger and still need someone else to move first.

Taught twice

When my father and my mother forsake me, then the Lord will take me up.

Psalm 27:10, King James Version

A child can sometimes survive one parent failing him if the other stands in the gap. I didn’t get a gap. After the desert I lived with my father, who married a woman who lectured me for hours and then slapped me. My father stood by. He chose the new household over the boy, and he has never said that it happened.

That is a different wound from the first, and in one way it cut deeper. The first said you are hurt. The second said you aren’t worth protecting. I should be careful about my own reading here. A child’s conclusions are reconstructed by an adult decades later, and I can’t prove what I decided at nine. But the sentence I carried for fifty years is the one I’d write down if you asked me to name it: I do not matter. One parent taught it by what she let happen. The other taught it by what he didn’t stop. Two houses, one lesson, from both sides.

I’m not telling you this to build a case against anyone. My father was also the man who took me to sea when no one else would take me, and I’m grateful for that. Both things are true. What I want you to see is how a belief like that works. It doesn’t feel like a belief. It feels like the weather.

The water, not the wave

Here is what I didn’t expect. The wound hides behind success.

Nobody looks for an injury in a man who is performing. I raced and I built things and I raised two sons and I appeared fine, and every year of that was camouflage for something I couldn’t see myself. I don’t know what clinical name, if any, belongs on it. I know what it felt like: an ache the next achievement never touched, because it had never been about achievement.

What I carried wasn’t a great grief. It was a sorrow that goes everywhere, a constant companion, never overwhelming, never absent. People imagine heartbreak as a wave, something with a shape and an end. Mine has mostly been the water. Ordinary sorrow has an object, so it can be addressed and finished. This has none, so you stop trying, it becomes background, and background is permanent until somebody names it.

There is a beauty in sadness, and I don’t want it cleared out. It is information and depth and the ability to feel loss, and a life with no room for it is flat. My problem was the low constant version, which doesn’t destroy anything. It takes up the room where joy would go. There’s lab work from James Gross and others suggesting that habitually suppressing the expression of a feeling tends to dull positive emotion while leaving the body’s stress response running. Most of those studies are short and use film clips, so I treat them as a hint and not a law. It matches what I felt: a calm, capable surface over a body carrying a load, and a ceiling on the joy.

Much of that weight, I eventually saw, wasn’t mine. It was handed to a boy in a desert who had no choice but to take it, and it was carried so long it felt like part of the body. It was freight from someone else’s beautiful ideas and someone else’s failures to protect, still being hauled forward decades later. Seeing that doesn’t make it vanish. It is the first step toward putting it down.

The one who stays

The wiring, as the textbooks tell it, predicts one of two adults. One freezes at the threshold. The other wants love and runs from it. I braced for a diagnosis that said I was the second kind, and for years I told it that way myself.

The evidence in my own life says otherwise. I don’t flee. I stay in rooms I could leave, I seek closeness harder than most people, and I can give nearly without limit. What I guard is narrower and, I think, harder to see: the door marked receiving. I wrote about that door in Drop by Drop. The difference matters because you don’t treat a man who runs the way you treat a man who stays and can’t quite let the love land.

What I do when it gets hard is not leave. It’s go somewhere else. I stay in the room, answer, get things done, and stay pleasant, and something goes out of me that the other person can feel go. A woman I loved told me afterward that I disappeared exactly when she needed me closer. She was right, and I hadn’t known I was doing it. Someone I was married to had named the same thing years before, in different words, and I hadn’t understood that either. Two people, a long way apart in time, describing one man going quiet at the moment feeling arrived. That is not what a fleer does. It is much harder to catch. A man who walks out can be seen. A man who stays and becomes unreachable can be mistaken for fine.

Why I chose who I chose

The pattern didn’t only shape how I behaved in love. I think it shaped who I walked toward. I can’t tell you that this is why people choose whom they choose. Human attraction is messier than any theory of it. I can tell you what I see when I look at my own history.

Some of what I called chemistry now looks like recognition. The loves that hit hardest were rarely the steady, available ones. Those felt pleasant, and I mistook pleasant for flat. The ones that lit me up were uncertain and hard to read, and I took the charge for destiny. I have made more than a few homes with women who were each lovely in their own right. In more than one of them I ended up performing to earn my place, meeting what I took to be their needs and expectations instead of using my own strength. Nobody required it of me. I picked rooms where it was required.

I think each of those choices was, in part, the old question asked again. Can I earn the love that was withheld at the start? Some part of me believed that this time I could answer it. Unavailability wasn’t a flaw I kept overlooking. It was the thing that switched the hope on. I hold that as my reading of my own life and not as a law about wounded people, and I’m aware it’s a neat story about something that wasn’t neat.

I also don’t want it turned into a rule. Plenty of intense attractions turn out to be right. Plenty of calm ones are dead. What I can say is narrower, and I trust it more: intensity isn’t evidence of compatibility. For years I treated it as proof. It’s one more thing that can be true and still tell you nothing about whether a person is good for you. I’d rather admit that than keep calling it fate.

Carry, set down

When thou passest through the waters, I will be with thee; and through the rivers, they shall not overflow thee.

Isaiah 43:2, King James Version

I used to think the aim of all this work was to get free of the wound. I don’t any more. A wound can’t be escaped, and chasing escape is one of the things that keeps a person stuck. What you can do is carry it differently. Know what it is. Know which parts are yours and which were handed to you. Put down the guard and keep the soft heart. Keep the sadness that is information, and set down the sadness that’s freight.

The question I ask myself now, and the one I’d offer you, is whether I’m moving through the hard things or only past them. Past is the sprint: the next race, the next company, the next person who might finally make it make sense. Through is slower. It means feeling the thing, staying in the room, and letting the closeness I’ve spent my life reaching for actually reach me.

I don’t know how this ends. I’m a man in his fifties who has done a fair amount of work and has more to do. The pattern repeated for fifty years, and one round of work doesn’t undo that. But I know which way I’m facing. The wiring was laid by other people. What I do with it is mine.

Still figuring it out —

Orion Quin